Author Image

Hi, I am Kaamya

Tech Content Consultant

Kaamya Sharma

Technical Content Consultant

I am a former academic who now leverages her skills in research and communication to craft effective content strategies for clients in the tech space.

While working as a tenured faculty member in a premier engineering institution, I realised that there’s a staggering gap in understanding between tech creators and their clients/end-users.

That’s when I found my calling.

I believe that well-researched, targeted, engaging content can be the key differentiator for tech enterprises.

I primarily consult for companies working in the AI/ML, Automotive, Manufacturing, SaaS, Blockchain, IoT, Healthcare, Cybersecurity, Education and Fintech spaces. I also conduct workshops on Writing for companies and educational institutions.

Think I can help you with a project?

Get in touch with me.

Marketing Campaigns
Internal Communications
Product Launches
Pitches to VCs
Lead Generation & Conversion
SEO & Brand Awareness
Brand Positioning
Thought Leadership
Customer Engagement




Technical Content Consultant & Editor

Jul 2021 - Present, Remote

  • Content marketing ideation, strategy and development for tech companies
  • End-to-end content production and deployment (CI/CD) for all marketing collaterals
  • Editing and proofreading for academic works in STEM fields
  • Writing and editing technical content for mainstream audiences


Dec 2021 - Present, Remote

Wytti is a content strategy consultancy specialising in B2B for niche businesses.

Head of Operations & Chief Editor

Oct 2022 - Present

  • Managing client relations and expectations
  • Overseeing project execution, resource allocation and resource management
  • Proposal creation, content & campaign ideation, strategy and design
  • In-house and freelance workforce management
  • Issue resolution
Chief Editor & Key account Manager - Bosch

Dec 2021 - Sep 2022

  • Content ideation & development, Editorial support
  • Project management
  • Key account management and oversight
  • Team management

Assistant Professor
Indian Institute of Technology Jodhpur

May 2019 - Jun 2021, Jodhpur, Rajasthan, India

  • Qualitative Research, Research Leadership, Teaching, Outreach, Consultancy and Public Sector Engagement.
  • Founding member of Jodhpur City Knowledge and Innovation Cluster, drafted detailed project proposal and made presentations to senior bureaucrats and union ministers.
  • Nodal Officer for the Khadi and Village Industries Commission’s SFURTI Scheme to connect technology experts with NGOs, artisans and village industries.
  • Managed the Digital Language Lab including the recruitment, supervision and appraisal of all English Language Teachers, using digital tools to teach communication.
  • Taught courses and modules in Consumer Culture, Social and Cultural Theory, Ethnography, Communication Skills and Cross-Cultural Translation.
  • Launched the Institute’s first cross-disciplinary Science and Technology magazine TechScape.
  • Heading the Institute’s social media team, managing regular content, sponsored promotions, advertisements and organization of live events.

Post Doctoral Fellow
Indian Institute of Technology Madras

Apr 2019 - Feb 2017, Chennai, Tamil Nadu, India

India’s top ranked Engineering School

  • Qualitative Research, Writing, Research Outreach and Teaching
  • Taught courses and modules in Research Methods, Cultural Anthropology, and Cultural Studies.
  • Translated (Tamil-English), The Scent of Happiness: A Novel.
  • Organized Writing Workshops in collaboration with Kenyon College, USA.
  • Awarded the Peter Taylor Fellowship for outstanding writers by Kenyon Review.


Ph.D in Anthropology & Cultural Studies
Integrated M.A. Major-English Studies Minor- Economics
CGPA: 9.25 out of 10
EnglishNative Fluency
TamilNative Fluency
HindiNative Fluency
MalayalamStrong spoken Fluency
SpanishBasic reading, writing, and comprehension (levels 1&2)
GermanBasic reading, writing, and comprehension (levels 1&2)
DanishBasic reading, and comprehension (level 1)


A Cultural History of the Sari

This research, part of my doctoral dissertation, was conducted to unearth a cultural history of the sari as draped clothing. Using a mixed methods approach combining ethnography, archival research, media study, visual & material analysis, I studied the sari’s mutations through the colonial and postcolonial periods, focusing on the emergence of the Nivi style of drape, and what it signified about a new identity for Indian women. For whom was this new image fashioned, and whom did it exclude? I am presently writing a monograph about the Modern Sari.

The Sari & Social Media

This research, part of my doctoral dissertation, emerged from my observations of sari revival movements on social media. Although saris occupy a lion’s share of the Indian retail market, why are they perceived as endangered and in need of revival? What do saris signify in the larger realm of culture and identity? This research linked identity projects on social media to the clothing consumption of women in urban India. I employed a mixed-methods approach entailing ethnography, social media analysis and quantitative market analysis to contextualize contemporary anxieties about identity within larger patterns of consumption.

Consuming Comfort
User Case Study Completed

How does the user actually perceive comfort? Is comfort aesthetic – relating to how something looks and is described (using words such as ‘light’ and ‘breathable’, for instance) or haptic – relating to qualities of touch, texture, fit, or both? My earlier research revealed that craft revivalists cited comfort as the reason why handloom textiles are the obvious user choice in the hot, humid weather that prevails in India. Was this true? This research combined ethnography, media research and material analysis to study the relationship between representations and perceptions of comfort among clothing users, focusing on haptic elements of textiles which influence user perceptions of comfort.

Project CRAFT

Project CRAFT is my initiative to create digital tools to augment craft production and consumption in Jodhpur, Rajasthan, using AR-VR and digitalization. Moreover, it sought the use of pattern recognition to help craft users obtain Intellectual Property Rights. Jodhpur, as India’s leading handicraft and furniture exporter, was a salient location for this pilot study. In order to understand the current status and challenges of the craft industry, I conducted problem validation research, using ethnographic methods, interviews, shadowing and observations as well as unstructured interactions in Jodhpur. This project received funding from the Government of India.

Sustainable Consumption & Identity

Sustainability has acquired global salience in recent decades with a range of stakeholders including industries, governments, and consumer action groups. This research looks at performative sustainability i.e., how actors act in a given set of circumstances based on their understanding of sustainability. I examine how sustainability objects (or objects that come with a claim of promoting sustainable living) operate in networks of production and consumption to understand sustainability as a process. In the Indian clothing context, questions of sustainability often get uncritically entangled with questions of craft, livelihood, and community. This research looks at how sustainability is deployed in India’s craft and handloom sector through a study of sustainability objects across their life-cycle.

Optimizing Online Teaching
UX Research Completed

This research is a multi-faceted, continuing analysis of how teaching methods, digital tools and social contexts have influenced online teaching and learning experiences. Two case studies were conducted: one usability study to evaluate Google Classroom as a learning environment for college students and another case study to evaluate the efficacy and user engagement of live teaching versus pre-recorded lectures as online teaching modes.

Strength Training on Instagram

This research in progress studies recreational strength training communities that have mushroomed online for women on Instagram. Using media and social media analysis, I compare strength training with other performance-oriented subcultures of the body, such as running and CrossFit. This research also examines the communicative features of Instagram as a social media app and how it normalizes alternate displays of female bodies.

Crafting Strength

Dominant narratives around contemporary fitness fetishize pain and suffering, almost as if they are the dues one must pay to ‘earn’ a fit body. This practice-based research seeks to disconnect the body from narratives of pain and suffering to imagine a more joyful path to fitness.

Decolonizing Craft Narratives

This project examines how various actors in the craft world create meaning and value in their use and practice of craft. Through archival and ethnographic methods, this research links the historical divisions between craft and industry, the handmade and mechanized to contemporary questions of skill, meaning and value.

Beyond Big Data

Current applications of cutting-edge digital tools for social media research are designed for automation whereas we need methods designed to better connect (human) researchers with their interlocutors in the digital space. This project is an open-ended exploration of how to conduct research on visual social media moving beyond Big Data approaches towards culturally sensitive qualitative research.


Hand-crafted identities: Sartorial taste and belonging amongst elite women in urban India

The Orientalisation of the Sari: Sartorial Praxis and Womanhood in Colonial and Post-Colonial India

How to Dress a National Elite: The Case of the Kalakshetra Sari

Book Review: Tirthankar Roy, The Crafts and Capitalism: Handloom Weaving Industry in Colonial India

John Forbes Watson’s Devastating Catalogue of Indian Textiles

Thoothukudi Custodial Deaths: A Dangerous Blind Spot

The Rules of the Game: Weaving Durries in Rajasthan